Skip to main content

Patou Pour Homme

Jean Kerleo created this maserpiece Spicy Fougiental in 1980. For me, it is the best overall designer scent I have ever had the pleasure of owning and wearing. In spite of it leaning toward "formal", it is simply so good that I have found myself at a loss as to exactly when I should wear it or if I even have an occasion worthy enough to spray it on my skin.

It's this quality, coupled with the fact that it's discontinued, sought-after and commanding outrageous prices that makes me love this fragrance and hate it as well. I had a bottle a few years ago, as well as a few minis, that I sold off because they sat in my parfum cabinet like an enshrinement. I would periodically sneak a spray here and there and revel in it, but was unwilling to give it full wearings after a while because I felt I was wasting it. Once I realized the folly of this obsession for Patou Pour Homme, I mustered up the courage and then promptly sold them off.

It was the right thing to do. I am wearing this as we speak and yes, it was the right thing to do. Even though there's nothing genuinely sensual about this fragrance, to me it's the equivalent of liquid sex. There's no rhyme or reason for that statement except it is borderline perfect and pushes the buttons on my pleasure centers. Kerleo, for all his achievements, will go down in the books for this one. Of that I am certain.

Patou Pour Homme is a combination of Fougere and Oriental and embodies one of the two best openings I've come across. The other belongs to Honorah's Pancaldi, which is in the same category and both exhibit the smoothest green top accords you're likely to stumble upon.

Patou has to be tried as opposed to hearing myself and others rave about how damn good it is. Those who gravitate towards more modern creations may find PPH a bit stodgy, but to those who have a wide palette will be amazed that this was made and marketed as a mainstream designer.

I have no inclination to perform a fragrance autopsy like I normally do when reviewing. This is fabulous and will NEVER be repeated. Read it and weep. Jean Kerleo rocks for all time because of what he envisioned in 1980. It deserves all the praise you read.




Comments

Popular posts from this blog

Newport by Caswell Massey

Bergamot, Mandarin, Lemon, Lavender, Geranium, Muguet, Rose, Ambergris, Cedar, Sandalwood, Vanilla, Musk. After wearing Newport by Caswell Massey a few times and then reading what others had to say about this recent formulation, I found some of the opinions harsh. I have no way to compare it to the heralded vintage formula, nor can I use memory as I've never tried the original. Enter the current version. I do agree with some reviews that this rendition does not bring about the sense of beach and salt, but there's a long line of fragrances that fail to represent their depictions. However, Newport isn't so far off the mark that it's a complete misrepresentation. I can imagine wearing Newport ( or something similar ) in a beach setting. It smells classic due to the way Citrus, Lavender and Geranium are implemented. It's assuredly retro, but it seems to have that intangible I like that keeps me sniffing. Newport, at least on my skin, is top heavy in the sens...

Black Suede by Avon

Nutmeg, Clove, Amber, Musk, Moss, Wood Notes. Yes.........I am reviewing one of the Rodney Dangerfield's of fragrance. Black Suede has been gracing medicine cabinets, for better or worse, since 1980 my friends. If you're expecting me to inform you ( like others may have already ) that Black Suede is a nasty scrubber, you will be disappointed. On the other hand, if you're expecting a glowing review claiming it's a diamond in the rough, you won't hear that from me either. I will say though that Black Suede doesn't deserve the hate it's received and most of that is due to snobbery aimed at Avon products in general. I kid you not when I state that a close relative to this fragrance is Cacharel Pour L'Homme. The array of spice in both ensure comparison, but the "smoother" of the two is Black Suede due to its implementation of Amber. While wearing Black Suede, one can detect a hint of "drugstore". That quality doesn't manife...

Lanvin L'Homme

Lord knows the world has enough fresh woody citrus fragrances.  It's a hackneyed genre of masculine perfume, having been done to death by countless designer firms cranking these things out since the 1990s, and there doesn't seem to be an end in sight.  Lanvin L'Homme, released in 1997, is one of the early woody citrus releases, but it (along with Essenza di Zegna) stands out because it's one of the best.  That may sound like it's not saying much, but Lanvin L'Homme really is excellent. I won't get into a long treatise about all of the notes contained in this and how they evolve.  Lanvin L'Homme is sparkling, spicy, woody, transparent and dry.  What I love about this scent is how brilliantly it uses vetiver - the vetiver gives Lanvin L'Homme a woody, dry and somewhat bitter smell, but it also manages to create an effect of sustaining the citrus top notes for several hours.  This results in a fragrance that smells fresh and cheerful from beginning ...