Skip to main content

Dior Jules Original Formulation

Christian Dior released this legitimate powerbomb in 1980 and it epitomizes that particular era of excess. The effect of Jules is a borderline sweaty and anamilic uber masculine scent. You get the idea. This is macho done twice.

Dior's Jules is the only masculine I have ever worn that embarrassed me in a social setting. Now, it wasn't Jules fault, but I'm here to tell you that if you accidentally over-apply this beast, you will be forever known as "Cologne guy". To sum it up, I hurried to get ready for a house warming and not being focused caused me to spray too much. I then ran out and no doubt warmed up that house. I actually "lit it up" and left under my own volition after my body heat started to launch Jules into every breathable space that little house had left. A night to remember..............

Jules opens with a very edgy lavender and cumin fighting inside a citric accord. When smelling this, you're not trying to analyze what notes are unfolding. You're looking behind you to see if  Dice Clay just entered the room after doing an hour routine on a hot stage.

The notes themselves are like a mob of convicts thrown into a small cell and told to get along. Lavender, cumin, carnation, herbal elements and spices all jostling for a space to call their own. It's controlled chaos and very good as long as your prudent with the sprayer.

The woodiness begins in the heart and the cedarwood oil gives Jules a real sense of gravity. This rendition is heavy and very unlike the cedar implementations of current releases. The rose and jasmin keep Jules on the dark side, but add a small sense of sweetness to an otherwise aggressive scent.

Once Jules begins drying down, it becomes leathery and animalic. The leather is feeding off the cedar oil and castoreum plus musk give the impression that you have what it takes to give Technoviking a run for his money. I don't recommend that unless you have a crowbar handy, but hey......life's a gamble sometimes..........

Dior Jules. Tough enough to tell Charles Bronson to go take a hike. Sillage and longevity are what you would expect from this liquid monster. Thumbs up from Aromi with caution flags attached.


Comments

Popular posts from this blog

Black Suede by Avon

Nutmeg, Clove, Amber, Musk, Moss, Wood Notes. Yes.........I am reviewing one of the Rodney Dangerfield's of fragrance. Black Suede has been gracing medicine cabinets, for better or worse, since 1980 my friends. If you're expecting me to inform you ( like others may have already ) that Black Suede is a nasty scrubber, you will be disappointed. On the other hand, if you're expecting a glowing review claiming it's a diamond in the rough, you won't hear that from me either. I will say though that Black Suede doesn't deserve the hate it's received and most of that is due to snobbery aimed at Avon products in general. I kid you not when I state that a close relative to this fragrance is Cacharel Pour L'Homme. The array of spice in both ensure comparison, but the "smoother" of the two is Black Suede due to its implementation of Amber. While wearing Black Suede, one can detect a hint of "drugstore". That quality doesn't manife...

Chanel copying Guerlain. Why?

                      Last month, I had the pleasure of trying Comète by Chanel, the latest addition to their prestigious Les Exclusifs line. This fragrance follows the release of Le Lion in 2020, another standout in the same collection. Like Le Lion , Comète is a beautiful perfume that captures the essence of Chanel’s refined elegance. However, both fragrances bear a striking resemblance to classic creations by Guerlain, leading me to ponder the direction Chanel is taking. Chanel has a great fragrance history. Not as hallowed and old as Guerlain but for past three decades it has far outshone Guerlain. In my view, no other perfume house has come close to Chanel’s excellence in this century. This makes their recent approach of echoing Guerlain classics somewhat perplexing. Have they run out of fresh ideas? Is Roger Dove at the helm of their fragrance division, or have they perhaps...

Teatro Alla Scala - Krizia

I tried Comete by Chanel today and wanted to write about how Chanel is going by the way of Roger Dove - copying old masterpieces. I did not know where to post that and then I realized I have been neglecting this blog. When I logged in I saw an unfinished post I wrote a year ago about Teatro Alla Scala by Krizia. Teatro is the best full bodied floral - better than any Chanel or Patou. Even better than Gucci L'Arte.  A brief background: Teatro Alla Scala is an Opera theatre in Milan. The bottle's design is an homage to the theatre and the perfume an homage to its sophisticated patrons. I wanted to write a symphony for it. Maybe some day. For now here are few notes I wrote comparing EDT vs EDP.  And if you don't have Teatro, your wardrobe is incomplete Rose, Jasmine, Tuberose. Jammy berries (more in EDP) . Honey note listed is probably the jammy part Vetiver & moss - more in EDT Rose and carnation is more than jasmine and that is what separates it from other florals like J...