Skip to main content

Bois 1920 Come La Luna

Sicilian Mandarin, Sicilian sweet Orange, Rose Wood, Pink Pepper, Coriander, Indonesian Patchouli, Cedar, Amber and Incense.

The very first thing I noticed about Come La Luna was the retro opening of citrus. This top could have been on any number of classic feminines. It's one of those accords that you can literally taste in your throat and it  doesn't take much of this to get noticed. Over apply this one and you will be noticed on the lunar surface. I'm not badmouthing here, just giving a heads up that Come La Luna is no lightweight and if you have issues with sillage and longevity, pull the trigger on a sample of this. Your worries may be over.

I always enjoy citrus implementations and especially notes such as mandarin and tangerine. I cannot say that I like the rendition here in Come La Luna. It smells brash and synthetic to me. It's also tuned too loud for my taste, but others may have a different opinion of the opening.

The Pink Pepper is also a bit abrasive, so I guess it's safe to say that the intro isn't winning me over. After 15 minutes and the scent settles down some, I like it a bit better. The citrus now has shed the heaviness that bogged it down and the spice has eliminated the caustic aspect it possessed in the beginning. Come La Luna is still strong, but the combination of the notes dissipating and olfactory fatigue permit me to move along in the wearing.

The transition to the base accord reveals an earthiness compliments of the patchouli-amber duo. There's also a wood component arriving at about the same time, but it doesn't resemble rosewood to me. If anything, it's a shadowy cedar note and these new arrivals salvage the wearing. Up until now, it hasn't been that great a ride.

Extended drydown produces a more interactive, resinous  amber. That along with the subtle incense is a nice touch. Other than that, I have to give Come La Luna a neutral rating. Sillage and longevity are very good, but I have to love what I'm smelling in order for those things to be an asset.




Comments

Popular posts from this blog

Oriental Lounge by The Different Company

Bergamot, Curry Leaf, Pepper, Red Rose, Tonka Bean, Labdanum, Satinwood. I suppose the first thing I noticed about Oriental Lounge is that as a man, this is a bit of a stretch to pull off. Since the core of Oriental Lounge is a powdery tonka and amber duo, it really does lean a bit too far feminine for me to wear. However, it would smell just as lovely on a woman and more appropriate as well. I bring this up simply because it's marketed as shared. I was wondering about the curry leaf. Actually, this "note" brought nothing to the table with the exception of possibly enhancing the pepper note just a bit. Even so, the pepper note itself was low key ( at least on me ) and both blended nicely with the citrus opening. From the onset of Oriental Lounge, it's unmistakable that this fragrance is.......well.....an oriental. From other opinions, I read some gripes about longevity, but it lasts on me quite awhile. This fragrance is uncomplicated and without much movemen

Legacy 1912 Titanic Eau de Parfum for Women

Lemon, Orange Blossom, Hyacinth, Rose, Violet. As far as I've read, this fragrance was inspired by a Titanic survivor who was hoping to sell his fragrances in the Big Apple. I happened to run across a nearly full 75ml. bottle last month and purchased it untested. Released as an EDP, what I noticed after multiple wearings was the politeness inherent in the entire composition. The volume seems to be governed regardless of sprays, but perhaps that's a misconception on my part. At any rate, the dispersion is well behaved and mannerly, while smelling feminine and surprisingly good. Legacy is a citric floral that I can see succeeding in warm temperatures. Legacy opens with a sheer accord of citrus and leafy green aspects. The blossom is tuned a bit more assertively than the lemon, but their balances are executed very pleasantly. The combination of Hyacinth and Violet is just as good. The leaf and stem qualities compliment the violet rendition and is soon accented by a demur

Silver by Etienne Aigner

Basil, Bergamot, Green Notes, Juniper Berry, Lemon. Carnation, Cedar, Cinnamon, Jasmine, Patchouli, Pine Needle. Castoreum, Labdanum, Leather, Moss and Musk. 1984 brought us yet another terrific and underrated masculine. Etienne Aigner's Silver is ( of course ) under the radar and mostly disregarded by the fragrance community at large. I have no answers for this other than possibly bad timing and marketing mistakes. It could also be that Silver is sophisticated and long lasting without the bombastic qualities that were inherent in many releases of that particular time period. It may have slipped by unnoticed. Silver opens as an extremely smooth ( and I mean smooth ) rendition of herbs and dominant basil set atop a light citric accord. It leans green like you would expect, but this is not a conventional aroma of green. This has a low center of gravity and within a minute or two, an elegant moss begins its journey from the base to incorporate itself into the opening. Silv