Skip to main content

Villoresi Sandalo

Funny how we can come full circle with certain fragrances. There was a time when I found Villoresi's Sandalo much too harsh and downright crude for my taste.

My palette has broadened over the years from simply staying active in the hobby.   I still equate Villoresi as being the Frank Zappa of perfumery. No, I don't mean buffoonery, but rather an "in your face" and a take-it-or-leave-it approach. His creations always seem to be rugged, but that's one mans opinion.

Sandalo has a "not quite finished" air about it. Lorenzo has chosen not to cover the flaws in sandalwood and has it stand completely naked before the world.
Naturally, there are other players in the works in this fragrance, but the sandalwood is deliberately left to stand or fall on its own merits. If those of you considering sampling Sandalo necessarily don't harbor much love for sandal, rosewood or some lavender, then be advised that you will find this NOT to your liking. I love sandalwood, but for years, I only cared for creamy and assisted renditions of the note. Case in point is how niche houses continue to augment patchouli with amber and vanilla. It's become an industry recipe of sorts.

Villoresi's Sandalo opens with sandalwood , lavender and  petitgrain as they ride upon a small wave of citrus. The citrus dissipates quickly to reveal facets of rosewood within minutes of application. The rosewood ( to me ) is more dominant than anything and jostles with the sandalwood for the entire ride.

I have another obscure sandalwood that is very similar to me once the opening is finished. It's called "Sandalo" as well and was released by ERBE Profumi. I have no info as to year or accords and I admit to researching it unsuccessfully.

There's numerous heavy hitters listed in Sandalo such as Labdanum, Vetiver, Neroli, Rose, Moss, Musk and Opoponax, but they pale in comparison to the sandal and rosewood. They remind me of guests invited to a party and then promptly ignored. In the extended drydown, some of them rear their heads, but they are cautious and quiet about it.

It's all good however. Villoresi Sandalo is one of the benchmark sandalwoods and years later I can say rightly so. Big thumbs up for Lorenzo's macho woody.

Comments

  1. Thanks for doing a review of this one. This is the only review I've read that answers all the questions I've had about this frag. I too love sandalwood, but I prefer the drier, sharper treatments of it (though I love both), so I'm definitely going to give this a whirl, maybe even a blind buy. Villoresi's patchouli frag is rugged too, and one of my favorite patchoulis.

    ReplyDelete
  2. Enjoyed this review! Thanks! I think you've hit on exactly why some people love Villoresi frags and some people hate them. Nice analysis!

    ReplyDelete
  3. "Sandalo has a "not quite finished" air about it. Lorenzo has chosen not to cover the flaws in sandalwood and has it stand completely naked before the world."

    Its this exact description that renders Lorenzo's work so appealing to me.
    Ive always felt that most Sandalwood perfumesnin the recent market weremrestrained, constrained, watered down and made clinical. Its Sandalo that ignited my love for sandalwood and promoted to seek out others. Another unrestrained sandalwoodn is Santal Noble.

    ReplyDelete

Post a Comment

Popular posts from this blog

Oriental Lounge by The Different Company

Bergamot, Curry Leaf, Pepper, Red Rose, Tonka Bean, Labdanum, Satinwood. I suppose the first thing I noticed about Oriental Lounge is that as a man, this is a bit of a stretch to pull off. Since the core of Oriental Lounge is a powdery tonka and amber duo, it really does lean a bit too far feminine for me to wear. However, it would smell just as lovely on a woman and more appropriate as well. I bring this up simply because it's marketed as shared. I was wondering about the curry leaf. Actually, this "note" brought nothing to the table with the exception of possibly enhancing the pepper note just a bit. Even so, the pepper note itself was low key ( at least on me ) and both blended nicely with the citrus opening. From the onset of Oriental Lounge, it's unmistakable that this fragrance is.......well.....an oriental. From other opinions, I read some gripes about longevity, but it lasts on me quite awhile. This fragrance is uncomplicated and without much movemen

Legacy 1912 Titanic Eau de Parfum for Women

Lemon, Orange Blossom, Hyacinth, Rose, Violet. As far as I've read, this fragrance was inspired by a Titanic survivor who was hoping to sell his fragrances in the Big Apple. I happened to run across a nearly full 75ml. bottle last month and purchased it untested. Released as an EDP, what I noticed after multiple wearings was the politeness inherent in the entire composition. The volume seems to be governed regardless of sprays, but perhaps that's a misconception on my part. At any rate, the dispersion is well behaved and mannerly, while smelling feminine and surprisingly good. Legacy is a citric floral that I can see succeeding in warm temperatures. Legacy opens with a sheer accord of citrus and leafy green aspects. The blossom is tuned a bit more assertively than the lemon, but their balances are executed very pleasantly. The combination of Hyacinth and Violet is just as good. The leaf and stem qualities compliment the violet rendition and is soon accented by a demur

Silver by Etienne Aigner

Basil, Bergamot, Green Notes, Juniper Berry, Lemon. Carnation, Cedar, Cinnamon, Jasmine, Patchouli, Pine Needle. Castoreum, Labdanum, Leather, Moss and Musk. 1984 brought us yet another terrific and underrated masculine. Etienne Aigner's Silver is ( of course ) under the radar and mostly disregarded by the fragrance community at large. I have no answers for this other than possibly bad timing and marketing mistakes. It could also be that Silver is sophisticated and long lasting without the bombastic qualities that were inherent in many releases of that particular time period. It may have slipped by unnoticed. Silver opens as an extremely smooth ( and I mean smooth ) rendition of herbs and dominant basil set atop a light citric accord. It leans green like you would expect, but this is not a conventional aroma of green. This has a low center of gravity and within a minute or two, an elegant moss begins its journey from the base to incorporate itself into the opening. Silv