Skip to main content

Smalto Pour Homme by Francesco Smalto

Lavender, Clary Sage, Bergamot, Anise, Neroli, Tarragon, Rosemary.
Geranium, Rose, Heliotrope, Carnation, Cedar, Cyclamen, Juniperberry.
Oakmoss, Tonka Bean, Vanilla, Amber, Leather, Musk.

If you happen to enjoy classic masculines, Smalto will not leave you disappointed. For a good example, I like and wear Alain Delon Plus. While both it and Smalto are assuredly related, Smalto is smoother and leans farther "green" than Delon, but these and a host of others from that era were cast from the same mold. It is a bit retro, but very viable to those who eschew loud classics, yet enjoy their construction.

Smalto's citric-lavender opening is very bright, aromatic and enjoyable for the first few minutes or so before settling down. It mushrooms on the skin and is accented by green spices. The presence lowers  quickly and morphs into the classic, 1980's vibe.

Smalto showcases a green theme on me, courtesy of herb, spice and cyclamen. There's a subtle smoke and balsam in the mix and these qualities mix well with the undercurrent of wood and floral tones. Smalto is a fougere that has you believe it's a powerhouse 80's scent the first couple of minutes. I'm taken aback at just how quickly it becomes "respectable". Picture Stallone shedding his skin to reveal he's actually Michael Caine.

There seems to be numerous masculines of this ilk that accomplish similar results. Smalto is just one more on the list, but it still is every bit as good as its competitors. It simply brings nothing new to the classic table.

Once Smalto transitions into the base and drydown, it lowers the presence and volume even more. This stage is more or less predictable in how it smells. The lavender is still accounted for, but gives way for some leathery moss to inhabit the accord. The essence of Smalto is moss, leather and wood that have tilted green the entire ride.

I find Smalto average but good. It's good bang for the buck currently, but unless you love classic fougere's, I strongly recommend a sample wear. Neutral rating from Aromi with positive attibutes.

Comments

Popular posts from this blog

Black Suede by Avon

Nutmeg, Clove, Amber, Musk, Moss, Wood Notes. Yes.........I am reviewing one of the Rodney Dangerfield's of fragrance. Black Suede has been gracing medicine cabinets, for better or worse, since 1980 my friends. If you're expecting me to inform you ( like others may have already ) that Black Suede is a nasty scrubber, you will be disappointed. On the other hand, if you're expecting a glowing review claiming it's a diamond in the rough, you won't hear that from me either. I will say though that Black Suede doesn't deserve the hate it's received and most of that is due to snobbery aimed at Avon products in general. I kid you not when I state that a close relative to this fragrance is Cacharel Pour L'Homme. The array of spice in both ensure comparison, but the "smoother" of the two is Black Suede due to its implementation of Amber. While wearing Black Suede, one can detect a hint of "drugstore". That quality doesn't manife...

Chanel copying Guerlain. Why?

                      Last month, I had the pleasure of trying Comète by Chanel, the latest addition to their prestigious Les Exclusifs line. This fragrance follows the release of Le Lion in 2020, another standout in the same collection. Like Le Lion , Comète is a beautiful perfume that captures the essence of Chanel’s refined elegance. However, both fragrances bear a striking resemblance to classic creations by Guerlain, leading me to ponder the direction Chanel is taking. Chanel has a great fragrance history. Not as hallowed and old as Guerlain but for past three decades it has far outshone Guerlain. In my view, no other perfume house has come close to Chanel’s excellence in this century. This makes their recent approach of echoing Guerlain classics somewhat perplexing. Have they run out of fresh ideas? Is Roger Dove at the helm of their fragrance division, or have they perhaps...

Teatro Alla Scala - Krizia

I tried Comete by Chanel today and wanted to write about how Chanel is going by the way of Roger Dove - copying old masterpieces. I did not know where to post that and then I realized I have been neglecting this blog. When I logged in I saw an unfinished post I wrote a year ago about Teatro Alla Scala by Krizia. Teatro is the best full bodied floral - better than any Chanel or Patou. Even better than Gucci L'Arte.  A brief background: Teatro Alla Scala is an Opera theatre in Milan. The bottle's design is an homage to the theatre and the perfume an homage to its sophisticated patrons. I wanted to write a symphony for it. Maybe some day. For now here are few notes I wrote comparing EDT vs EDP.  And if you don't have Teatro, your wardrobe is incomplete Rose, Jasmine, Tuberose. Jammy berries (more in EDP) . Honey note listed is probably the jammy part Vetiver & moss - more in EDT Rose and carnation is more than jasmine and that is what separates it from other florals like J...