Skip to main content

C'Est Moi by Etienne Aigner

Green Notes, Peony, Wild Berries, Tuberose, Orchid, Wood Notes, Musk.

It doesn't take but about 2 minutes to notice the woodiness of this 1983 feminine from Etienne Aigner. Classified as a fresh-floral, I believe that is a misnomer. This should be a floral-woody if anything. The woods I'm experiencing are more than likely cedarwood oil. It's reminiscent of that note I relive, time and time again, in numerous classic masculines. It's extroverted and has a vitality that contemporary renditions of woods do not. I'm not saying superior, but I am saying noticeably different. Personally, I like all implementations of the note, regardless of release date. The woods in C'Est Moi are more indicative of the times......and it's good. It makes C'Est Moi lean a bit masculine if you ask me, but others may disagree. I could wear this in public and pull it off, although I'd have to be careful of how much I'd apply. This has some kick to it.

Perhaps time has aged the mini I own and has caused the floral notes to become subdued. I have no way of knowing for certain since I cannot go back in time and smell this immediately after release. Regardless, I'm persuaded to believe that even then, the woods would have become incrementally pronounced by the time the base and drydown stages arrived. In the now however, the woods are realized almost immediately.

The opening of C'Est Moi is woods augmented with what I decipher ( or should I say throw an educated guess your way....) as subdued rose, green stem, spice and either carnation or geranium. It's a dense rendition and difficult to pick out individual notes. As a whole, that is what it smells like to me. The Cedar Oil smells front and center with the floral, fruit and green notes as accentuating characters. The longer the wearings ensue, the more masculine C'Est Moi transforms on my skin. This is some butch juice for sure.

If Chuck Norris had a wife ( that he didn't kill with years of accumulated roundhouse kicks to the head), C'Est Moi may have been a good choice for her to wear. Hell, for all I know, Chuck may have taken it from her by force and wore it himself.

Sillage is good, but not room clearing. The fullness of this scent however, is something you do not want to overdo. It possesses that heavy, swirl factor that can envelope you like a blanket. Thumbs up from Aromi for Etienne Aigner's C'Est Moi and a strong recommendation to sample before ever purchasing this scent.

Comments

Popular posts from this blog

Black Suede by Avon

Nutmeg, Clove, Amber, Musk, Moss, Wood Notes. Yes.........I am reviewing one of the Rodney Dangerfield's of fragrance. Black Suede has been gracing medicine cabinets, for better or worse, since 1980 my friends. If you're expecting me to inform you ( like others may have already ) that Black Suede is a nasty scrubber, you will be disappointed. On the other hand, if you're expecting a glowing review claiming it's a diamond in the rough, you won't hear that from me either. I will say though that Black Suede doesn't deserve the hate it's received and most of that is due to snobbery aimed at Avon products in general. I kid you not when I state that a close relative to this fragrance is Cacharel Pour L'Homme. The array of spice in both ensure comparison, but the "smoother" of the two is Black Suede due to its implementation of Amber. While wearing Black Suede, one can detect a hint of "drugstore". That quality doesn't manife...

Chanel copying Guerlain. Why?

                      Last month, I had the pleasure of trying Comète by Chanel, the latest addition to their prestigious Les Exclusifs line. This fragrance follows the release of Le Lion in 2020, another standout in the same collection. Like Le Lion , Comète is a beautiful perfume that captures the essence of Chanel’s refined elegance. However, both fragrances bear a striking resemblance to classic creations by Guerlain, leading me to ponder the direction Chanel is taking. Chanel has a great fragrance history. Not as hallowed and old as Guerlain but for past three decades it has far outshone Guerlain. In my view, no other perfume house has come close to Chanel’s excellence in this century. This makes their recent approach of echoing Guerlain classics somewhat perplexing. Have they run out of fresh ideas? Is Roger Dove at the helm of their fragrance division, or have they perhaps...

Teatro Alla Scala - Krizia

I tried Comete by Chanel today and wanted to write about how Chanel is going by the way of Roger Dove - copying old masterpieces. I did not know where to post that and then I realized I have been neglecting this blog. When I logged in I saw an unfinished post I wrote a year ago about Teatro Alla Scala by Krizia. Teatro is the best full bodied floral - better than any Chanel or Patou. Even better than Gucci L'Arte.  A brief background: Teatro Alla Scala is an Opera theatre in Milan. The bottle's design is an homage to the theatre and the perfume an homage to its sophisticated patrons. I wanted to write a symphony for it. Maybe some day. For now here are few notes I wrote comparing EDT vs EDP.  And if you don't have Teatro, your wardrobe is incomplete Rose, Jasmine, Tuberose. Jammy berries (more in EDP) . Honey note listed is probably the jammy part Vetiver & moss - more in EDT Rose and carnation is more than jasmine and that is what separates it from other florals like J...