Skip to main content

Giorgio Beverly Hills Giorgio for Men Vintage

 

Aldehydes, Bergamot, Fruit Note, Orange, Pimento

Carnation, Cedar, Cinnamon, Orris, Patchouli, Rose, Sandalwood

Amber, Benzoin, Honey, Moss, Musk, Tonka Bean, Vanilla.

In 2009, I did a review of the reformulation that was available at that particular time. Reading my own review, I felt there was no need to seek out the vintage since what I already had was very good.


Enter the year 2013. My bottle from 2009 is gone and I pick up another. It's a different reformulation; brighter and more shrill with a phantom sawdust note. It's still good and I like it, but it's different. I still have a reference atomizer of it for comparison. If I had to choose between the one I had in 2009 and 2013, I'd choose the 2009. It simply was more robust and "full"

I now have a vintage bottle from somewhere between 1990-1994. It wasn't a vintage-only purchase. I just happened to come across it while looking for a replacement and the price was right.



Surprisingly, the vintage isn't as loud as the one in 2009. You would think it would be nuclear, but to say that would be inaccurate. What I will say is it's as full-bodied as it can be while maintaining a semblance of smoothness.

It opens with a blast of restrained aldehydes and citrus that has carnation and patchouli already in the mix. Rose rears its head after a few minutes and a floral component I attribute to Orris. I've heard others mention how obvious the honey note is in the vintage and early renditions of Giorgio for Men. Do I get honey? I can't say that I do.

                                                                                   

 Instead, I experience a mildly sweet accent that I attribute to the combination of Amber, Benzoin and Vanilla. The Patchouli rendition is similar to what I experience in Krizia Moods Uomo, but integrated better.

In summary, this is a very nice version of Giorgio. It's more polite than some versions, but better balanced and smoother. Even in the dry down, I still get the Carnation. It works well with the Patchouli, wood notes and Van-amber finish. The first few hours, the projection is moderate, but good. The next few hours, Giorgio is a personal space scent and the following 4-6 hours it evolves into a skin scent.

I'm glad I stumbled upon this vintage bottle. I'm happy, not because it's stupendous or for any other reason than I get to own an early version of this AFTER I've owned, worn and liked a few of its reformulations. Thumbs up from Aromi for the vintage rendition of Giorgio for Men. If you already like Giorgio, you'll like this. Also, if you're happy with the version you have, there's no need to hunt down a vintage bottle. Giorgio, it seems, is good in all its interpretations.


Comments

Popular posts from this blog

Black Suede by Avon

Nutmeg, Clove, Amber, Musk, Moss, Wood Notes. Yes.........I am reviewing one of the Rodney Dangerfield's of fragrance. Black Suede has been gracing medicine cabinets, for better or worse, since 1980 my friends. If you're expecting me to inform you ( like others may have already ) that Black Suede is a nasty scrubber, you will be disappointed. On the other hand, if you're expecting a glowing review claiming it's a diamond in the rough, you won't hear that from me either. I will say though that Black Suede doesn't deserve the hate it's received and most of that is due to snobbery aimed at Avon products in general. I kid you not when I state that a close relative to this fragrance is Cacharel Pour L'Homme. The array of spice in both ensure comparison, but the "smoother" of the two is Black Suede due to its implementation of Amber. While wearing Black Suede, one can detect a hint of "drugstore". That quality doesn't manife...

Chanel copying Guerlain. Why?

                      Last month, I had the pleasure of trying Comète by Chanel, the latest addition to their prestigious Les Exclusifs line. This fragrance follows the release of Le Lion in 2020, another standout in the same collection. Like Le Lion , Comète is a beautiful perfume that captures the essence of Chanel’s refined elegance. However, both fragrances bear a striking resemblance to classic creations by Guerlain, leading me to ponder the direction Chanel is taking. Chanel has a great fragrance history. Not as hallowed and old as Guerlain but for past three decades it has far outshone Guerlain. In my view, no other perfume house has come close to Chanel’s excellence in this century. This makes their recent approach of echoing Guerlain classics somewhat perplexing. Have they run out of fresh ideas? Is Roger Dove at the helm of their fragrance division, or have they perhaps...

Teatro Alla Scala - Krizia

I tried Comete by Chanel today and wanted to write about how Chanel is going by the way of Roger Dove - copying old masterpieces. I did not know where to post that and then I realized I have been neglecting this blog. When I logged in I saw an unfinished post I wrote a year ago about Teatro Alla Scala by Krizia. Teatro is the best full bodied floral - better than any Chanel or Patou. Even better than Gucci L'Arte.  A brief background: Teatro Alla Scala is an Opera theatre in Milan. The bottle's design is an homage to the theatre and the perfume an homage to its sophisticated patrons. I wanted to write a symphony for it. Maybe some day. For now here are few notes I wrote comparing EDT vs EDP.  And if you don't have Teatro, your wardrobe is incomplete Rose, Jasmine, Tuberose. Jammy berries (more in EDP) . Honey note listed is probably the jammy part Vetiver & moss - more in EDT Rose and carnation is more than jasmine and that is what separates it from other florals like J...