Skip to main content

Bugatti by Ettore Bugatti

 

Aldehydes, Bergamot, Clary Sage, Lemon, Lime, Neroli, Rosewood

Carnation, Cedarwood, Jasmine, Iris, Patchouli, Rose, Sandalwood

Amber, Benzoin, Castoreum, Labdanum, Leather, Oak moss, Musk, Tonka Bean, Vanilla

This 1992 release from Ettore Bugatti is a literal boatload of ingredients that has classic masculine aficionados rubbing their hands together in anticipation. I know I looked at the accords and said "Damn" out loud.

There is a Basenoter, by the name of Andre Moreau who has researched this particular fragrance, among others, rather extensively. His "digs" into certain fragrances are actually deep dives. He has owned and given opinions on three different versions of this release. They are insightful and concise. In his opinion, the above imaged version is the best of the 3. It's the version in a frosted bottle with gold cap. I have to defer to him on this because I have only sampled the pictured version and have no experience with the other 2.



My opinion of this classic masculine comes from a 5ml. mini of the frosted glass/gold cap variety. Luckily for me, this particular mini was well stored and intact. That's not to say the top notes haven't dissipated to a certain degree because I believe they have. In spite of that, Bugatti opens with a rather full and satisfying spicy citrus accord that's embellished with immediate, woody undertones. The Carnation is blended rather well here and interacts seamlessly with the floral heart. It's here, after 4 minutes or so, that I get a mild, but persistent play-dough note. It could be the Iris/Amber/Vanilla combination, but who's to say for sure? I've experienced this with a few other scents that listed Lavender/Vanilla, with or without Amber.

From the 5 minute mark on towards the 3 hour mark, this note persists on me and to be honest, I find it a little distracting, but not enough to dislike it outright. This part of the wearing, Bugatti's notes act as one, with no transitions and retaining a denseness that doesn't lend itself to transparency. It's a viscous accord of citric spice, woods and a really well blended floral array. Still, the "play-dough" suggestion is there, albeit low volume.





Once the dry down commences, I'm left with a semi-sweet floral array and a very nice balsamic carnation, supported by a steady, low key leather accord. There's an assist from some mellow Van-Amber. I can't really say I'm experiencing Moss or Tonka of any significance, because I'm not. That's not to say someone else would notice it. I'm content with the dry down I just described and I'm glad the play-dough note has up and left.

Thumbs up from Aromi for Ettore Bugatti's 1992 release and as always, a sample wear is recommended before a blind buy purchase.



Comments

Post a Comment

Popular posts from this blog

Oriental Lounge by The Different Company

Bergamot, Curry Leaf, Pepper, Red Rose, Tonka Bean, Labdanum, Satinwood. I suppose the first thing I noticed about Oriental Lounge is that as a man, this is a bit of a stretch to pull off. Since the core of Oriental Lounge is a powdery tonka and amber duo, it really does lean a bit too far feminine for me to wear. However, it would smell just as lovely on a woman and more appropriate as well. I bring this up simply because it's marketed as shared. I was wondering about the curry leaf. Actually, this "note" brought nothing to the table with the exception of possibly enhancing the pepper note just a bit. Even so, the pepper note itself was low key ( at least on me ) and both blended nicely with the citrus opening. From the onset of Oriental Lounge, it's unmistakable that this fragrance is.......well.....an oriental. From other opinions, I read some gripes about longevity, but it lasts on me quite awhile. This fragrance is uncomplicated and without much movemen...

Black Suede by Avon

Nutmeg, Clove, Amber, Musk, Moss, Wood Notes. Yes.........I am reviewing one of the Rodney Dangerfield's of fragrance. Black Suede has been gracing medicine cabinets, for better or worse, since 1980 my friends. If you're expecting me to inform you ( like others may have already ) that Black Suede is a nasty scrubber, you will be disappointed. On the other hand, if you're expecting a glowing review claiming it's a diamond in the rough, you won't hear that from me either. I will say though that Black Suede doesn't deserve the hate it's received and most of that is due to snobbery aimed at Avon products in general. I kid you not when I state that a close relative to this fragrance is Cacharel Pour L'Homme. The array of spice in both ensure comparison, but the "smoother" of the two is Black Suede due to its implementation of Amber. While wearing Black Suede, one can detect a hint of "drugstore". That quality doesn't manife...

Paco Rabanne Pour Homme

I am reviewing the original Paco Rabanne Pour Homme ( circa 1973 ) thanks to a generous basenoter who sent it to me recently in a swap. He also sent me the current formulation in order for me to do a side by side comparison. The side by side resulted in what I had already imagined would be the case. Not that the newer formula is terrible by any means. The original version simply is better by being deeper and a bit more masculine. No......you shouldn't go to ebay searching for the vintage formula and paying stupid prices. It's simply a notch or two better than the current and noticeable by comparing the two in real time. Rabanne Pour Homme opens with a slight shimmer in conjunction with lavender, spices and a subtle woodiness. It's an old school introduction, however a good one. The lavender takes about 5 minutes to raise its volume and evolve into a soapy rendition. I dislike when a boatload of soapy lavender takes over a composition, but here it doesn't go over t...