Skip to main content

Fendi Uomo Original Formula

Image
By
Lavender, Coriander, Marjoram, Angelica, Bergamot, Lemon.
Cypress, Cyclamen, Iris, Cinnamon, Carnation, Jasmin, Rose.
Vetiver, Patchouli, Vanilla, Castoreum, Amber, Cedar, Leather, Musk.

I become very amused at the polarization Fendi Uomo causes among those who have never worn it before. This is serious perfumery folks and the choice of notes is not for the feint of heart. I'm not insinuating that Fendi Uomo is loud and knock-you-down boisterous. On me, it is not, but for others it seems to be judging from their opinions. It all boils down to perception I imagine.

Fendi Uomo opens with an aromatic and dense accord of spicy citrus, wood tones and musk. This surely isn't your everyday salutation and the construction of Fendi's topnotes are reminiscent of a heart or base accord in other masculines. It means business from the second it spreads out over skin.

Wearing Fendi Uomo always reminds me of an overcast, late afternoon. It's not ominous or even a brooding creation, but it's serious and manages to keep the uplifting rays of the sun at bay. The spicy aspect of Uomo is the beating heart and puts a face on this pensive fragrance.

The combination of Coriander, Angelica and Cypress is an interesting choice. Between them, they tender a palpable array of spice, woodiness, some musk and even a subtle balsamic smoke. Until the base and drydown arrive, Fendi Uomo is built around these three implementations. Sure, they are accented some by the others, but on me they are the cornerstone upon which Uomo is constructed.

This scent comes out of the gate at full gallop, but within 10 minutes diminishes to a respectable presence. Strong, yet sans a piercing volume, Uomo is mature, focused and possesses no diplomacy. You either stand with him or against him. Reject him or rejoice......it's your choice.

The base and drydown is the martini after a hard day at work. This state of restfulness is very pleasant and in stark contrast to the spicy and busy opening. Hints of earth, resin, vanilla and leathery wood tones cast their shadow over the ever softening spice and bring Fendi Uomo home.

Sillage is very good and after fading is resuscitated through body heat. Longevity is 6 hours plus with the last few being a close scent. Thumbs up from Aromi for this classic masculine from Fendi and a sample wear is most definitely recommended.




Labels:

Comments

  1. AnonymousMay 8, 2011 at 4:50 PM

    Fendi Uomo is so rich and leathery. It smells like the inside of a Fendi handbag mixed with wonderful things in the bag. Maybe some cedar chips and a few herbs. Throw in a lemon or two. Class all the way.

    ReplyDelete

Post a Comment

Popular posts from this blog

Black Suede by Avon

By
Nutmeg, Clove, Amber, Musk, Moss, Wood Notes. Yes.........I am reviewing one of the Rodney Dangerfield's of fragrance. Black Suede has been gracing medicine cabinets, for better or worse, since 1980 my friends. If you're expecting me to inform you ( like others may have already ) that Black Suede is a nasty scrubber, you will be disappointed. On the other hand, if you're expecting a glowing review claiming it's a diamond in the rough, you won't hear that from me either. I will say though that Black Suede doesn't deserve the hate it's received and most of that is due to snobbery aimed at Avon products in general. I kid you not when I state that a close relative to this fragrance is Cacharel Pour L'Homme. The array of spice in both ensure comparison, but the "smoother" of the two is Black Suede due to its implementation of Amber. While wearing Black Suede, one can detect a hint of "drugstore". That quality doesn't manife...
1 comment
Read more

Chanel copying Guerlain. Why?

By
                      Last month, I had the pleasure of trying Comète by Chanel, the latest addition to their prestigious Les Exclusifs line. This fragrance follows the release of Le Lion in 2020, another standout in the same collection. Like Le Lion , Comète is a beautiful perfume that captures the essence of Chanel’s refined elegance. However, both fragrances bear a striking resemblance to classic creations by Guerlain, leading me to ponder the direction Chanel is taking. Chanel has a great fragrance history. Not as hallowed and old as Guerlain but for past three decades it has far outshone Guerlain. In my view, no other perfume house has come close to Chanel’s excellence in this century. This makes their recent approach of echoing Guerlain classics somewhat perplexing. Have they run out of fresh ideas? Is Roger Dove at the helm of their fragrance division, or have they perhaps...
Post a Comment
Read more

Teatro Alla Scala - Krizia

By
I tried Comete by Chanel today and wanted to write about how Chanel is going by the way of Roger Dove - copying old masterpieces. I did not know where to post that and then I realized I have been neglecting this blog. When I logged in I saw an unfinished post I wrote a year ago about Teatro Alla Scala by Krizia. Teatro is the best full bodied floral - better than any Chanel or Patou. Even better than Gucci L'Arte.  A brief background: Teatro Alla Scala is an Opera theatre in Milan. The bottle's design is an homage to the theatre and the perfume an homage to its sophisticated patrons. I wanted to write a symphony for it. Maybe some day. For now here are few notes I wrote comparing EDT vs EDP.  And if you don't have Teatro, your wardrobe is incomplete Rose, Jasmine, Tuberose. Jammy berries (more in EDP) . Honey note listed is probably the jammy part Vetiver & moss - more in EDT Rose and carnation is more than jasmine and that is what separates it from other florals like J...
Post a Comment
Read more