Skip to main content

Gucci No.3 Parfum

Aldehydes, Coriander, Green Notes, Bergamot.
Orris Root, Jasmine, Muguet, Tuberose, Rose, Narcissus.
Amber, Oakmoss, Leather, Musk, Patchouli, Vetiver.

I am reviewing the parfum version of this 1985 release from Gucci. The minute you get a whiff of this creation, you KNOW that you will not smell fragrances made like this anymore. I wish to avoid rambling on about how the industry is castrating perfumers and saving us from ourselves. It's a done deal and the artistry won't be coming back unless current ( and future ) visionaries can pull a horseshoe out of their collective asses. On the flip side however, not every release from the bygone days was worthy of accolades, despite having less restrictions. I suppose that leaves us truly appreciating the good ones and selectively forgetting the not-so-good.

Gucci No.3 Parfum opens substantially and is devoid of any scratchy qualities usually associated with some EDT's. I'm not accusing the Eau de Toilette version of No.3 of being so as I haven't tried it. Honestly, after wearing this numerous times, I have no inclination to do so. The Parfum version is simply too rich and well balanced to pique my interest in another rendition. Even after initial application, the sillage is low-throw but full and succeeds in being a muscular, close proximity scent.

The top accord is part shimmer and soap that tilts green with subtle spice. There's also an underlying earthy woods quality fortifying the opening. Once a few minutes has elapsed, floral, earth and leathery components being to assimilate like building blocks and claim ownership to the composition. Weaving in and out of the transitions is a mild herbaceous aspect that bolsters the green floral theme of Gucci No.3.

The conglomeration of notes evokes a "clean" sensuality that's very feminine and also sexy. It does represent the 1980's in its construction, but I would not consider it a dated fragrance by any means. Even in its time, it would take a confident woman to successfully wear this and in today's sensibilities, nothing has changed. I find that Gucci No.3 Parfum possesses an exceptional tuning of notes and would perform superbly as a formal or evening scent for any well dressed woman.

Gucci No.3 is part sophistication and part come-hither. I believe this house hit the mark where blending is concerned and the deft use of an accenting leather is quite good. To me, it's a win-win situation, but others may disagree.

Sillage is full but close and longevity is around the 8 hour mark on my skin. Thumbs up from Aromi for Gucci No.3 with a strong recommendation to sample first.

Comments

Popular posts from this blog

Black Suede by Avon

Nutmeg, Clove, Amber, Musk, Moss, Wood Notes. Yes.........I am reviewing one of the Rodney Dangerfield's of fragrance. Black Suede has been gracing medicine cabinets, for better or worse, since 1980 my friends. If you're expecting me to inform you ( like others may have already ) that Black Suede is a nasty scrubber, you will be disappointed. On the other hand, if you're expecting a glowing review claiming it's a diamond in the rough, you won't hear that from me either. I will say though that Black Suede doesn't deserve the hate it's received and most of that is due to snobbery aimed at Avon products in general. I kid you not when I state that a close relative to this fragrance is Cacharel Pour L'Homme. The array of spice in both ensure comparison, but the "smoother" of the two is Black Suede due to its implementation of Amber. While wearing Black Suede, one can detect a hint of "drugstore". That quality doesn't manife...

Chanel copying Guerlain. Why?

                      Last month, I had the pleasure of trying Comète by Chanel, the latest addition to their prestigious Les Exclusifs line. This fragrance follows the release of Le Lion in 2020, another standout in the same collection. Like Le Lion , Comète is a beautiful perfume that captures the essence of Chanel’s refined elegance. However, both fragrances bear a striking resemblance to classic creations by Guerlain, leading me to ponder the direction Chanel is taking. Chanel has a great fragrance history. Not as hallowed and old as Guerlain but for past three decades it has far outshone Guerlain. In my view, no other perfume house has come close to Chanel’s excellence in this century. This makes their recent approach of echoing Guerlain classics somewhat perplexing. Have they run out of fresh ideas? Is Roger Dove at the helm of their fragrance division, or have they perhaps...

Teatro Alla Scala - Krizia

I tried Comete by Chanel today and wanted to write about how Chanel is going by the way of Roger Dove - copying old masterpieces. I did not know where to post that and then I realized I have been neglecting this blog. When I logged in I saw an unfinished post I wrote a year ago about Teatro Alla Scala by Krizia. Teatro is the best full bodied floral - better than any Chanel or Patou. Even better than Gucci L'Arte.  A brief background: Teatro Alla Scala is an Opera theatre in Milan. The bottle's design is an homage to the theatre and the perfume an homage to its sophisticated patrons. I wanted to write a symphony for it. Maybe some day. For now here are few notes I wrote comparing EDT vs EDP.  And if you don't have Teatro, your wardrobe is incomplete Rose, Jasmine, Tuberose. Jammy berries (more in EDP) . Honey note listed is probably the jammy part Vetiver & moss - more in EDT Rose and carnation is more than jasmine and that is what separates it from other florals like J...